Wednesday, 25 March 2020

Pongala Mahotsavam—A Festival of Women









India is land of diversity and its different regions have customs and traditions which are very unique and hold a lot of significance. The home of an ancient civilization it has traditions which have been carried on for centuries. It is a land of gods and goddesses. God is worshipped not only as the only absolute “one” omnipresent and omnipotent but also in different and manifold manifestations and with different names, forms and divine attributes. According to ancient puranas, Shiva and Shakti both were worshipped. In India the female form of God has been worshipped with as much devotion as the male form.
No wonder then that in one of the southern states of this country we witness the largest congregation of women for a religious activity. In fact this gathering has even entered into the Guinness Book of World records in 1997 and 2009.The certificate given by the Guinness Book of world record states that: ‘The largest annual gathering of women is achieved by 2.5 million women in an event organized by the Attukal Bhagvathy temple in Kerala India on 10th March 2009’. A gathering of 25 lakh women in one place. Isnt it amazing? The number is increasing every year and has reached upto forty lakh in recent years.
The Attukal Bhagvathy temple in Trivandrum is an ancient temple and is also known as the Sabarimala of Women because most of its devotees are women. So much so that during the Pongala  Mahotsavam men are forbidden to enter the temple. Several legends are associated with this temple. According to mythology, Attukal Bhagvathy is an incarnation of Kannaki who was the heroine of the Tamil epic Chilapathikaran written by The Tamil poet Ilango Adikal. Her husband was falsely accused of theft and beheaded by the king. Kannaki cursed the city of Madurai and left the city. On her way to Kodungallur she took a sojourn at Attukal.  Kannaki is also the incarnation of Bhagvathy hence Bhagvathy is the presiding diety of this temple. Another story says that ‘Attukal devi’ is Bhadrakali, born from the third eye of Lord Shiva to kill the demon king Daruka. Mother Bhadrakali is a form of Shakti (Mahakali) worshipped mainly in Kerala. ‘Bhadra’ means good and ‘Kali’ means goddess of time. So Bhadrakali is often referred as the goddess of prosperity, time and salvation.
Whatever be the origin, the Goddess in the temple of Attukal is worshipped as the Supreme Mother, creator of all living beings and the mighty preserver as well as destroyer of them all.
Pongala is a ten day long festival Oof this temple and commences in the Karthika star in the Malayalam month of Makar-Kumbham which is February-March by the English Calendar. The festival begins with Kappikettu ceremony when the idol of Devi is adorned with Kappi or bangles.The ceremony is accompanied by musical renderings of the story of Kodungallur Bhagvathy annihilating the Pandyan king and symbolises the victory of good over evil. The temples and the nearby area are decorated and bear a very festive look. The musical offerings, bhajans and chanting of the various names of the goddess continue for nine days. However it is on the 9th day, when the Pooram Nakshatra coincides with full moon night that this festival reaches its zenith. All roads in Trivandrum are lined with brick hearths and earthenware pots. The area in a radius of five kms from the Attukal Bhagvathy temple is treated as consecrated ground for this ritual and all houses, shops, commercial establishments keep their doors open on this day for thr devotees. Women from all over Kerala start converging to this temple in the very early morning hours of the 9th day. One can see crowds and crowds of women carrying earthen pots, jaggery, rice, coconut, firewood and going to their designated places on the roadside to build hearths and  cook the Pongala or the sweet jaggery rice in the open, as an offering to the goddess. They wear new saris called Pongala saris. For Pongala shops keep saris for as low as Rs 75 so that even the poorest can afford to wear a new sari for this ritual. The signal for lighting of the fire in the hearth is given by the head priest of the temple at the auspicious time or muhurtam. First the fire in the temple kitchen thadippaly is lit by the chief priest. Then the hearth or the panadara aduppu prepared in the temple premises is lit by the co priest to prepare the Ponagala. This is followed by a beating of drums and then lakhs of brick hearths on the roadside of Trivandrum are ignited and women prepare varieties of sweet rice as an offering to Attukalamma to bless them with prosperity and fulfill their wishes. Of course no traffic movement is permitted in the area around the temple that day and all schools, colleges, offices are closed. No men are allowed entry into the consecrated grounds. The devotees do not eat till the Goddess has been offered Pongala in the nivedyam ritual. This can be sometimes around two pm in the afternoon. After the offering the priests extinguish the fire in the temple hearths.This sanctified water is supplied to all the devotees on the roadside to extinguish their hearths. Now the devotees can go and distribute their Pongala to friends, neighbours, relatives and their family members.
It is indeed an atmosphere of festivity but also of devotion and faith. The women sitting on the sides of the roads, in new saris under the scorching sun cooking on brick stoves with firewood and in earthen pots have a prayer on their lips at all times. Their faith in the goddess is unflinching, pure and absolute. They have lit the flames of faith and offered to the goddess her favourite food.
Pongala also has two more rituals. One is the THALAPPOLI by young girls who make offerings to the Goddess for health wealth and happiness.The other is  Kothiyottam by boys under the age of twelve.They are considered to be the wounded soldiers of the Goddess Mahishasur Mardini . The boys  have done a week long penance in which they have to sleep on the mat, observe strict diet restrictions,stay in the temple, perform 1008 prostrations before the deity in the morning and evening. On the ninth day they perform the Kutthiyottam with the hope that the Goddess will bless them with inner and outer beauty and health,wealth and happiness.They accompany the Goddess when she goes in a divine procession to the Sastha temple in Manacaud reaching there in the wee hours of the morning. After a few rituals she comes back to Attukal and is welcomed with a “deeparadhanam”. The boys are delivered of their penance in an orderly manner. The ten day festival ends with the ceremonial removal of the Kappu and a sacrificial offering called “Kuruthi Tharpanam” at night.
Witnessing this unique festival and the faith of the women devotees is a moving experience and representative of the diversity and richness of our ancient heritage.It is a land where the continuity of our heritage has been preserved.